YouTube, Spotify, podcasts, broadcast TV — every platform now normalizes to LUFS (Loudness Units Full Scale). Submitting audio without checking LUFS means your content is either too quiet or aggressively reduced by the platform's normalizer.

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Why LUFS not peak

Peak normalization makes a loud song and a quiet song hit the same maximum — but they still sound very different. LUFS measures perceived loudness over time, matching human perception. Standardized in EBU R128 / ITU BS.1770.

Target levels

YouTube: -14 LUFS. Spotify: -14 LUFS. Apple Music: -16 LUFS. Broadcast TV: -23 LUFS. Podcasts: -16 to -19 LUFS. Mismatched: platform turns it down; if too quiet, listeners turn it up themselves (and your dynamic range gets hammered).

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Measuring and adjusting

Tools: ffmpeg's loudnorm filter, EBU R128 plugins (in DAWs), online services. Two-pass loudnorm gives true LUFS-matched output. Don't trust 'normalize to peak'; it does the wrong thing.

Mix to platform LUFS target (usually -14 to -16). Two-pass ffmpeg loudnorm or DAW R128 plugin. Peak normalization is wrong.